Criticism to Fame

Rebecca Black. Mashable asserts that the amount of money made from YouTube and iTunes nets Rebecca and her producer $62,000.

That certainly isn’t a lot of money, but when you consider the fact that she’s been on Jay Leno, Good Morning America, and has a niche group of supporters who like her and her song, the viral video she made may very well launch a long and successful music career, assuming she perfects her music skills. She’s only 14 years old!

The people who don’t like her are the people who helped propel her to fame. At the same time, those haters exposed her to a group of people who genuinely like her and will support her despite all the criticism.

“Friday” was propelled by people who thought that the video was so bad that they shared it as a joke to their friends. That joke is now allowing Rebecca Black to make real money…

Leave Rebecca Black Alone!

Manolo says, the entire interwebs are in the uproarious uproar over the ridiculous and inane pop video from the moderately untalented singing teen girl named Rebecca Black.

Frankly, the Manolo does not see what is about all of the fuss.

Yes, the lyrics are silly, and the girl’s voice, or what can be heard of it through the auto-tuning, is not especially good, and the rap break is perhaps the little bit creepy, but otherwise this is not even close to being the Worst Song Ever. Indeed, it admirably fulfills the pop necessity of catchieness, sticking in your head long after you wish it would go far, far away.

However, what the contrarian Manolo appreciates the most is that this video is so innocently innocent.

Rather than the hyper-sexualized Cryus-beast, gyrating lewdly to the salacious music, we have the real-life, dippy, thirteen-year-old girl innocently singing about hangin’ with her extra double dippy friends…

In the land of the super dippy, the slightly less dippy girl is queen.

The video for the “Friday” is refreshing and honest and silly, and it makes the Manolo unexpectedly happy. There is none of that pose of adult dissipation and sexual knowingness that makes much of the teen pop music tiresome. It is just the silly fun video.

So, please, leave the Rebecca Black alone. She is having fun.

Source: http://shoeblogs.com

Some Thoughts on Rebecca Black

Last Friday, City High students were split into two very clear groups: those singing Rebecca Black’s youtube sensation “Friday” like an anthem, and those with hands over their ears and murder in their eyes.I found myself in the second category.

It wasn’t the whiny voice, the annoying chorus, or the fact that 13-year-olds cannot drive that sent me over the edge. It was the interview she gave to ABC that convinced me that something was desperately wrong.

I have two large problems with the interview. First, Rebecca claims she has accomplished something by creating a song no one can get out of their heads. Has music descended to this level? If I come up with a tune irritating enough to get stuck in people’s heads, can I too become an overnight celebrity?

My second problem is with Andrea Canning, who conducted the ABC interview. In her words the song has made Rebecca “a target for extreme hatred and cyberbullying.”

Rebecca has not been cyberbullied. The definition of bullying is a habitual action meant to abuse or intimidate a weaker person. “Friday” was released only a week ago so these comments are not habitual. They may be meant to abuse and intimidate, but these are not people she knows, masking their identity with the Internet, waiting to strike out at her. They are critics.

She has created a piece of art (I use the term loosely) and sent it out into the world. She has made the transition from ordinary girl to a chart-topping artist, and more than 40 million people have watched her music video. She is living the dream, on top of the world. But that does not exempt her in any way from the critics of this world. Every other celebrity deals with negativity, so she cannot expect anything different.

It is true that she is young, and negative attention at that age hurts deeply. But she chose this, even if she didn’t know how far it was going to go. If she can’t take the pressure, she doesn’t deserve the spotlight. If she can’t play with the big kids, it’s time for her to go home.

Source: http://thelittlehawk.com/

In Defense of "Friday" Singer Rebecca Black

When we want to pick on someone in the media, young YouTube-powered pop stars may be the lowest-hanging fruit. Witness the collective condemnation of Rebecca Black, the 13-year-old California girl who partnered with a vanity record label to make what many consider the Battlefield Earth of pop songs and the worst music video of all time: "Friday." 

It's surprising that venerable bastions of news like TIME and Slate even bothered to give the song and video a thumbs down, but that only contributed to the legend. Tosh.O got into the act, and there are currently way more Friday parodies than days of the week. Right now it's hipper to slam "Friday" than it is to love Justin Bieber.

But are the "Friday" lyrics any cheesier than some of those in beloved songs by bona fide stars Willow Smith and Ke$ha? Let's compare.

In Friday, Black sings: "It's Friday, Friday/Gotta get down on Friday/Everybody’s lookin' forward to the weekend, weekend/Friday, Friday/Gettin' down on Friday/Everybody's lookin' forward to the weekend."

 The lyrics to 10-year-old Willow Smith's "21st Century Girl" aren't exactly poetry by comparison: "I'm the type of chick/That likes to rock the beat/I like to rock the beat/I like to rock, to rock the beat/21st Century Girl/I do what I like/21st Century Girl/I'm taking you for a ride/21st Century Girl/Yeah, I'm gonna live it up." 

But at least Smith is only 10. Ke$ha is 24 and rocking lyrics like these in the appropriately named "Blah Blah Blah": "Oh Blah-di-blah blah, blah-di blah blah blah/Comin' out your mouth with your blah blah blah/Zip your lips like a padlock/And meet me in the back with a jack at the jukebox/I don't really care where you live at/Just turn around, boy, let me hit that."

We don't have to love "Friday" (it's not like Black is up for a Grammy or anything), but why tear it down so harshly? After all Ke$ha and Willow have legitimate producers; all Rebecca had was a dream and $2000 to make her music video. 

Black says she feels like she's being cyberbullied -- and indeed she is. What else would you call experiencing a barrage of ridicule across the Internet? What did Rebecca do to deserve all this negative attention while others do virtually the same thing -- at times way more inappropriately -- and receive nothing but adoration?

I think Rebecca's earned a three-day weekend and then some... especially now that she's scored a real manager.

Read More http://www.ivillage.com/defense-friday-singer-rebecca-black/1-a-335771#ixzz1IS9U7i2O 

5 Lessons That The Latin Jazz World Can Learn From Rebecca Black During Jazz Appreciation Month

Our calendars turn towards April tomorrow bringing with them a yearly tradition, Jazz Appreciation Month. It’s thirty government-sanctioned days that are officially dedicated to the history and future of everything associated with jazz. Some of us celebrate jazz 365 days a year, and for us, Jazz Appreciation Month seems a bit redundant. We can easily turn a deaf ear to the proceedings and wonder why the world doesn’t share our daily passion for jazz. It’s important to remember that most people don’t have a conscious connection to the music for one reason or another. This is unfortunate, but it’s also reality. It’s also a prime reason to embrace Jazz Appreciation Month and ride the momentum into a wider public appeal for the music.
In order to reach people outside the jazz community, it’s important to look at the situation from a different vantage point for a while. We know what most people reading this blog are hearing, they sit on the side of the fence that already appreciates jazz. So let’s consider the other side of the fence for a minute. Non-jazz listeners spend their time hooking their ears up to something else, but what’s drawing their attention lately? If we take a look at YouTube, there’s one song above all others that has pulled people in - Rebecca Black’s “Friday.” It’s a poorly written pop song with laughable lyrics and a barely listenable performance, but a current look at YouTube marks “Friday” with 67,926,399 views. Plenty of people have stated their negative opinions about the song, but they’re still listening to it instead of some quality Latin Jazz. As we move into Jazz Appreciation Month, it’s time to start thinking about moving the attention from Black onto Latin Jazz.
Black is a pretty easy target, but I’m not here to take pot shots today. Instead, I’m going to take a distinctly different and hopefully less cynical perspective. Black is a teenager with questionable musical skills that popped out of nowhere and grabbed the world’s attention; what can we learn from her story? More importantly, how can we apply those lessons to our efforts to promote Latin Jazz during Jazz Appreciation Month? Sometimes a completely new viewpoint can help provide a breath of fresh air, so with that in mind, here’s some thoughts about Black, “Friday,” and Latin Jazz.
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Video Is A Very Powerful Tool For Spreading The Word About Music
Black didn’t spend years building a fan base by performing her music in dingy bars across the country; she simply made a video. For better or worse, everyone knows who Black is and can sing the tune to “Friday” based upon that video. Video is a bigger part of music than it ever has been before - we can pull up videos on our computers, phones, or televisions, exposing us to a massive world of music. YouTube is filled with a seemingly endless supply of Latin Jazz videos, ranging from classic clips featuring artists like Tito Puente and Cachao to modern videos with artists like Dafnis Prieto. Take the opportunity during Jazz Appreciation Month to share some of these great videos with your friends. Post an outstanding Latin Jazz performance on your Facebook wall every day. E-mail links to your friends with some background information about the artist. Send out great video picks daily through Twitter. Make this sort of commitment and there’s a good chance that you’ll turn someone onto some great Latin Jazz.
The Re-Mix Is Almost As Powerful As The Original
Have you seen the multitude of hilarious retakes on “Friday” throughout YouTube? People have made their own music videos for the song, mashed it together with death metal vocals, and posted their own performances of the song. This phenomenon is not isolated to “Friday” either - this sort of activity runs wild on YouTube. Do you have some video skills that you could put to the test during Jazz Appreciation Month? Pick your favorite Latin Jazz tune and create a music video for us. Develop something that catches people’s attention - something creative that adds a story to the song. Or maybe turn one of your favorite Latin Jazz tunes upside down with a hip-hop remix - why not? Many times, these alternate versions send people running back to the originals. If you’re a musician, record yourself playing your favorite Latin Jazz tune from your perspective, maybe even write your own. Say a word or two about the original artist and tell the world how they influenced your playing. Your perspective will add some momentum to the music and introduce it to your circle of friends, giving a much-needed boost to Latin Jazz.
Humor Gets People’s Attention
I’m pretty sure that Black was taking herself seriously on “Friday,” but a lot of people spent hours laughing along with the video. In a big part, it’s the humor behind the song and the video that sent the numbers behind this song skyrocketing into the stars. We may all have different opinions about music, but we can all take the time to laugh together - it’s a bonding experience that helps us feel connected. When applying this to Latin Jazz, things are a little different; there’s not a ridiculous element embedded in the music. I think the jazz community (myself certainly included in this) takes itself a little too seriously though. There’s got to be something that we can laugh about and Jazz Appreciation Month is the perfect time to do it. How about a funny video of someone doing a silly dance over a classic Latin Jazz tune? You could post an amusing story about an encounter with a famous Latin Jazz musician on your Facebook page. Send a serious of word plays out across Twitter that turn terms like clave, salsa, or tumbao into memorable one-liners. You may have to be careful that you don’t fall into the trap of taking cheap shots at the artists or musicians for a laugh; that’s a self-defeating action that goes against the spirit of the music. When you share humor with an underlying respect for your subject though, you simply make people smile and invite them into Latin Jazz.
Word Of Mouth Is Really, Really, Really Powerful
The jazz world often laments the lack of big budgets to spread the word about their music, but look at Black - she was a teenager with some bucks to spend on a song and a video before “Friday.” Once the video hit YouTube, it wasn’t a massive promo push from a wealthy music company that sent millions of views towards “Friday,” it was word of mouth. Some of this chatter about the video was positive and a lot of it was negative, but it snowballed into a mass momentum of visibility. This viral energy tends to spread quickly across the internet, and you never quite know what will spark it. Take the opportunity during Jazz Appreciation Month to tell as many people as you can about a great Latin Jazz tune. Whether it’s through e-mail, Facebook, Twitter, your cell phone, or good old-fashioned face-to-face conversation, get out there and talk about Latin Jazz this month. Once these people encounter something powerful in Latin Jazz, they’re bound to tell someone about it too; it’s simply the social nature of people. Whether the word gets put out to millions of people or even just a few, you’ve made a difference - a group of people have been turned onto Latin Jazz that hadn’t heard it before.
Put Yourself Out There And Take A Chance
While I may not be overflowing with admiration for Black’s songwriting and singing skills, I’ve got major respect for her sheer nerve. She took a chance on something that she believed in and put it out into the world. Some people might be laughing, but Black caught the world’s attention, landing her on The Tonight Show, Billboard’s Top 100, and more. I’m not encouraging anyone to take mediocre music skills to a national audience, but stepping outside yourself and taking a risk is always a good thing. It’s not always easy to be an advocate for a marginalized music like Latin Jazz, but it’s important to take that chance during Jazz Appreciation Month. Share an Irakere CD with your rocker friends and see what they think about Cuba’s greatest fusion band. Take a friend out to a Poncho Sanchez or Eddie Palmieri concert and proceed to dance the night away. Turn on YouTube and watch some clips from Arturo O’Farrill And The Afro-Latin Jazz Orchestra with your teenager and get their opinion. If you’re a musician, call your local school and volunteer to stop by and talk about Latin Jazz with the music students. When you share the music that you love with someone and they don’t hold the same opinion, you’re taking a risk. Passion is contagious though, and there’s a good chance that you’ll open them up to a new appreciation for Latin Jazz.
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Jazz Appreciation Month is a great time to get people excited about Latin Jazz and help spread the word about this important music. Every action counts and helps ensure the future of survival of the style. As Ms. Black will surely remind us, tomorrow is Friday, and that’s the first day of Jazz Appreciation Month. Plan ahead and think about what you can do to make a difference during Jazz Appreciation Month - let us know what you’re going to do in the comments! Let’s all take this opportunity to support Latin Jazz and share it with the world!

Source: www.chipboaz.com

Rebecca Black - Friday (Official Video)

REBECCA BLACK - FRIDAY (OFFICIAL VIDEO)

The video was produced by Ark Music Factory, a California-based video company that was also behind similar teen-pop videos like Alana Lee’s “Butterflies” and Kaya’s “Can’t Get You Out of My Mind.”